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lunedì 7 marzo 2011

2010 Rolls-Royce Ghost is smaller in size, still larger than life

2010 Rolls-Royce Ghost - Click above for high-res image gallery

Rich people are different from the rest of us. Their wants and needs involve parameters and details completely foreign to the proletariat. While we use our vehicles for transportation, utility and sport, the rich view their automobiles as a necessary accoutrement to their elevated lifestyles.




For the ultra-wealthy, an appropriate equivalent might be an original Remington bronze or Picasso painting. And just as they need art in their mansions, they need beautiful transportation. The 2010 Rolls-Royce Ghost lives up to those lofty requirements by simultaneously being a rolling work of art and a status symbol beyond reproach.

Like access to the Queen, our time with the Ghost was strictly limited, so comprehensive driving impressions will have to wait. But what we did get was a rare glimpse into what the world's richest inhabitants will enjoy when the Ghost goes on sale this year. And as you'd expect, life is good on this side of the financial Bell Curve.
In the world of automobiles, there are better vehicles than the 2010 Rolls-Royce Ghost. Some may feature more complex and innovative engineering. Others may provide more performance. There are certainly more expensive and exclusive cars.

But none of these facts matter. To those attracted to the newest, smaller Roller, what matters more is how the Ghost goes about its business of enhancing a well-off individual's life.

Certainly, the engineering is solid. It's what you'd expect of Rolls-Royce's caretakers at BMW. Approximately 20-percent of what's used in the Ghost is related to the current and previous generation BMW 7 Series. In other words, Rolls-Royce started with premium stock and went no where but up.



Certainly, the 2010 Ghost has more street presence than BMW's flagship. The differences are so great that most would never know the two were related, even with the knowledge that the hallowed British marque is under German control.

The Ghost's lines are artfully drawn, not a bit fussy or over done. They are simple and elegant, and impart a sense of solidity. Important details such as the coach doors (otherwise referred to as "suicide" doors by the unwashed masses) allowed designers to make a single element of the front and rear door handles. The design simply looks right. Tiny details reinforce the aura, including the "RR" centers that spin freely within the wheels so the logo remains upright at all times.

While there's not much to set the Rolls apart at the rear – those chromed exhaust tips are a $3,200 option – up front the car's heritage is unmistakable. Set off by the optional $5,000 Silver Satin Bonnet finish, the smaller-than-on-the-Phantom recessed grille looks appropriately updated and none-too-large given its surroundings. The strong horizontal shape of the Xenon headlamps (with integrated running LEDs) accentuates the fenders and provides another familial styling cue. A single line of turn signal LEDs rest directly below the main lamps, and standard foglights would apparently be gauche.



And, of course, one cannot overlook the Spirit of Ecstasy. She's been the brand's mascot since the very beginning, and looks remarkable for being 99 years old. She first adorned a Rolls-Royce in 1911, and has been used in various poses ever since. To protect against theft and in the event of a collision with a pedestrian, she quickly retracts into the faux radiator shell. Find her image in the gallery and look at how lovingly she was sculpted. If you look close enough, you can see how her young eyes look eagerly ahead. While setting a good example for all, her eager attitude is warranted given the performance available from the Ghost.

Based on the twin-turbo V12 from the fourth-generation E66 7-Series, the Ghost's engine has been stroked from 6.0 to 6.6 liters and produces 563 horsepower at 5,250 rpm with 575 pound-feet of torque at just 1,500 rpm. The gearbox is based on a unit spreading through BMW's ranks, the excellent ZF eight-speed automatic.



The suspension is unique to the Ghost, and uses a double-wishbone arrangement up front with a multi-link setup out back. Air springs work in concert with variable dampers and plenty of electronic algorithms to provide uncanny handling for a car that weighs nearly three tons (5445-pounds without occupants). The example we drove was shod with optional 20-inch wheels and tires (another $5,000 option). The doughnuts measured P255/45R20 in front and P285/40R20 in the rear, so there's no need to wonder whether the Ghost possesses the physical means necessary to exercise great mechanical grip. The brakes were equally large, with the front discs measuring over 16 inches.

While substantially engineered, most Ghost owners think as much about horsepower as they do about the enriched soil used in their rose gardens. What they care about is the aforementioned exterior style and how the interior speaks to their inner Richie Rich.



Unlike the exterior, which seems to be a more cohesive design statement, the interior is a mash-up of old-world charm and modern-day technologies. Matched wood veneers (all pieces from the same tree) and beautiful hides (some 10 pampered bovines give their all for each Ghost) coexist with an 10.2-inch LCD screen and a version of BMW's iDrive. It feels a bit like having a microwave oven in the kitchen of a historic British castle.

Most of it works just fine, but some of the fussy design details seem intent on pandering to perceived luxury, not luxury itself. The chromed buttons on the steering wheel, for instance, are so shiny that it's nearly impossible to identify their function.

For those familiar with BMW's biggest sedan, the amount of shared components inside is obvious. The operation of the entertainment and NAV systems is identical, and controls set into the rear armrest are nearly very close to the 7 Series. It's likely most owners won't notice.



One of the pieces we thought wonderfully elegant was the power-closing rear doors activated by an interior switch. The wide openings (we're told they come out to 83-degrees, but we didn't bring a protractor) make elegant and demure entries and exits from the rear seats a breeze. Flash-prone pop stars might not appreciate it, but society ladies will.

Representatives of Rolls-Royce say that the Ghost is designed to be driven by its owner. (Sorry, Jeeves.) Provided the owner isn't a rabid fan of the Audi R8 or Ferrari California, he'll think the Ghost is something pretty special when it comes to chassis dynamics. The acceleration will certainly get your attention, as the engine's ability to hustle the massive slab of sedan to 60 mph in around four seconds is enough to make you reach for a pricy aged scotch (but not while driving, of course).



Our driving experience in the Ghost was limited to about an hour on the surface streets in and around Philadelphia, PA. In these confined environs, the Ghost gathered speed so quickly it felt like we were being whacked forward by a massive velvet sledge hammer.

The adjustable suspension did a commendable job of managing the huge throttle and brake inputs, but while the body movements were well controlled, the ride was more Lexus/Mercedes-Benz than BMW. The adjective "wafting" is not quite accurate – it's actually more of a semi-waft.



As you'd expect, the Ghost was supple and road noise was commendably subdued. However, the ride was not substantially more comfortable than the 760iL we had a chance to drive later the same day. As with so many other qualities, this isn't likely to matter.

The reality is that with the narrowing of the mean as it relates to overall vehicle quality and performance, a Rolls-Royce isn't that much better than other ultra-premium luxury sedans in the dynamic and comfort departments.

But this Ghost – priced at $297,325 – is not about miniscule differences in handling, power or features. This car is all about presence and statement-making. And it does these things remarkably well in the rarified air most of us will never breathe.
source by autoblog.com

2010 Nissan Versa lives life large


2010 Nissan Versa SL – Click above for high-res image gallery

Small, affordable cars are like mushrooms. They quietly go about their business in the soggy bottom of the market, tolerated more than celebrated. Occasionally, the fungi mutates into a truffle, and so it is with this less-respected branch of autodom.



The Nissan Versa is no market newcomer. Introduced in 2007, it's trudged along unloved in the U.S. while faring better in markets outside the States as the Tiida. As with cuisine, some regional flavors are an acquired taste. The Versa hatchback has a decidedly "big in Europe" thing going on, with its distinctive shape and tall-hatch proportions. Taking into consideration Nissan's close relationship with Renault, the styling even seems Gallically influenced. We nabbed a pair of Versas, an S with six-speed manual and an SL with CVT, to see if Nissan's efforts are fetid or delicious. Make the jump to find out.
Styling is one of the main weapons automakers have when prices are low. The Versa five-door comes off a little bubble-ish with its high-arching roof, but it's a boon to occupants. There's a squared-off C-pillar in back that doesn't consume visibility, and its reverse-cut suggests some Renault influence, as does the nose. New up front for 2010 is a redesigned grille, set between lamps that continue the European-influenced theme.

There will inevitably be detractors, but the Versa isn't styled for shock value. It's not so much pretty as it avoids the overt weirdness that can creep in when prices are low and hardware is pedestrian. Even in the flashy Metallic Blue that our SL tester wore, the Versa is relatively nondescript; the latest in a line of inoffensively styled Japanese hatchy things. Blending in isn't necessarily bad, and if you want more expressiveness, Nissan offers the Cube on the same underpinnings.



The interior follows the same design ethos of not rocking the boat. No element is overwrought on the cleanly-styled dashboard. The expanse of nothing that faces the front seat passenger cries out for a little something, though. At least it makes it easy to peg the quality of interior plastics and fit and finish, which is pleasing to the eye, if not the touch. All cars in this price range carry similar looks-decent-feels-nasty interior materials, and knocking the Versa for such would be unfair. While it's not an Infiniti-grade interior, the colors and materials come off as well-chosen. The dashboard and door pulls give an anti-style message, but they don't feel unfinished. The charcoal cloth upholstery and tan tweed headliner feel more luxurious than you would expect, and the whole interior milieu somehow evokes Golfs of the past.

The Versa's upwardly-bowed roof keeps the headliner off hairdos and also adds to an airy atmosphere inside. There's storage cubbies aplenty, and the ergonomics are a delight. The radio sits high in the dashboard, right at hand. Nissan offers a bargain-priced navigation unit in the Versa, a surprisingly high-end touch in a car that's in the $15,000 range. The Suzuki SX-4 offers standard navigation, but the Versa's integrated option is a slicker implementation.



Three big knobs for the HVAC are simplicity itself, and they back up their easy use with a tight, non-sloppy feel. It may seem a small thing, but controls without slack add to a feeling of build quality, and the Versa's HVAC controls feel better than those in some luxury vehicles we've tried. High-G cornering will send your beverages flying from the shallow cupholders, though the door cubbies accommodate bottled drinks.

Ergonomic complaints are few, indicating that the Versa's interior is a solid effort, overall. Some gripes include the steering wheel cruise control buttons, which could use identifying dots to lessen the need to look down while underway, and It would be nice to have some padding under your elbows, especially on longer drives. The gauges, however, are clearly seen through the steering wheel and the seats are a comfortable surprise. Plastics are hard to the touch, for sure, but there's not a cheap sheen on surfaces.

The base Versa comes equipped with a 1.6-liter four-cylinder that hums out 107 horsepower. Both Versas we tried had the up-sized 1.8-liter, 122-horsepower engine. From the gutless performance of the larger engine, we can only surmise that the 1.6 is an engine for drivers accustomed to planning every move. It could be that we're used to explosive horsepower, but even with its short gearing, the Versa feels light on torque. Fortunately the engine doesn't mind revving, and it's just boomy, not rough.



Surprisingly, the 1.8-liter engine is better when teamed with Nissan's XTronic CVT instead of the six-speed manual transmission. Unfortunately, the XTronic is only available in the SL trim level, sticking bargain hunters with a four-speed conventional automatic if they want a shiftless Versa S or 1.6. Nissan does some of the best CVTs in the business, and even with a smallish four-pot, the Versa avoids the breathless-rubber-bandy experience common of small engines and gearless transmissions.

A six-speed manual also isn't common in this class of vehicle, and the great promise from such a ratio-spread is phenomenal fuel economy. Nissan went the other route, with smaller ratio gaps between gears. This approach probably lends performance to the 2,700 pound Versa S, though it's not a point-and-shoot driving experience. On the highway the engine spins around 3,000 RPM at sane speeds, adding more boom to the zoom, and stirring the transmission is video-gameish with a disconnected-yet-smooth shifter action.



The Versa is softly tuned, making it a comfortable rider. Despite that, the chassis doesn't flail around if you force it to rough-house. Make no mistake, there aren't any sporting intentions here. A beam axle is used out back, enhancing the rear load area at the expense of all-out handling. Steering points the car without doing much else, like communicating tire grip. Braking is likewise unexceptional in use. The pedal is pleasingly firm, and the Versa's disc/drum setup with ABS, electronic brake force distribution, and brake assist brings things to a halt. Simple and straightforward.

The Versa's mission is to soothe your nerves as you appliance around. There's a lag time between turning the steering wheel and the chassis responding, and the general impression is that the Versa is tuned to feel bigger than it is. It's at the big end of its class, and the EPA even classifies it as a mid-size car. It's tough to argue with the idea that the Versa could convincingly stand in for cars with larger footprints. There's plenty of space inside, a useful hatchback body style and it's rather comfortable. There's also far less wind noise in the Versa than in the Cube, and its styling is also more mainstream – a plus in many books.



Despite the promise of a six-speed transmission and relatively low curb weight for these times, fuel economy for us was a disappointing high-20s in mixed driving. City mileage with the 1.8-liter engine, however, is definitely better than traditional mid-size cars, and the spacious interior and hatchback brings near wagon-like usefulness to your driveway for far less than $20,000.

The Versa is large for its class, for sure, and it's filled with class-appropriate materials while driving more refined than you'd expect from its position in the Nissan pecking order. Our only question after sampling the Versa is: Why is there still a Sentra? In the inexpensive-not-cheap car realm, the Versa has a lot to offer, and its substitution of calm where others go frenetic will please potential buyers – and steal a few Sentra shoppers in the process.
source by autoblog.com

Ferrari Pinin: The Four Door Ferrari That Almost Was Built

The earlier post about Ferrari swearing to never build a four door instantly reminded me of the four door that Ferrari almost did build: the stunningly beautiful 1980 Pinin concept. I have vivid memories of drooling over it at the 1980 or 1981 LA Auto Show. What a divine piece of work in an era that gave us some weird four doors such as the Lagonda.

Sergio Pininfarina designed and had this car built as a tribute to his father, Battista ‘Pinin’ Farina, and it was first shown at the 1980 Turin Show. It was a huge success, and Enzo Ferrari was duly impressed. He invited Farina to discuss building a limited run of Pinins, but it somehow never quite came together. But it certainly wasn’t because of any philosophical issues about a four door Ferrari. No one had ever suggested one in such a convincing fashion.

The Pinin’s interior was superb for the times, and is that a flat screen web browser in the back?

The Pinin used the flat 12 engine, presumably as also used in the BB. There were a number of other technological advances, and the car still looks remarkably fresh and attractive for a thirty year old design.

domenica 6 marzo 2011

Cars Shows 2010 Lotus Evora Carbon Concept

2010 Lotus Evora Carbon Concept - Front Side View

Lotus Evora has presented the basis of the carbon design concept unveiled at the 80th Geneva Motorshow. The Evora Carbon Concept car, revealed to emphasize Lotus’ motorsport pedigree, introduce a stylish carbon fiber, leather and alcantara interior, aggressive carbon diffuser and composite body.

2010 Lotus Evora Carbon Concept - Interior View Lotus Evora Carbon Concept 2010 - Rear Side View

The Evora exterior styling direction is marked with a structural carbon fiber roof, Lotus Motorsport influenced carbon diffuser and carbon splitter. In the interior, the Evora combines the lustre of the carbon panels with perforated leather and matt alcantara. The bespoke interior uses swathes of grey alcantara to cover the footwell, dashboard and roof. The leather and alcantara are put side by side with the hard surfaces of the carbon fibre.

The Evora Carbon Concept car has diamond cut forged 19” alloy wheels front and rear, shod with Pirelli P-Zero Corsa tyres (235/35 wide front and 285/30 wide rear). The wheels and tyres fill the wheel arches to give the car a purposeful appearance.
The Lotus Evora Carbon Concept car emphasises Lotus' motorsport pedigree, utilising beautiful high quality materials with exposed carbon fibre and plush alcantara. The striking white concept car is finished in an advanced water based pearlesent paint that contrasts with the exquisitely finished weave on the carbon fibre panels.

The head turning looks of the Lotus Evora Carbon Concept car provide a more purposeful, planted stance with the car looking lower and more aggressive. This styling direction is continued with a structural carbon fibre roof, Lotus Motorsport influenced carbon diffuser and carbon splitter. The Lotus Evora Carbon Concept car retains the same class leading handling and high tech aluminium bonded and extruded chassis of the production car.

The contemporary interior of the Lotus Evora Carbon Concept car combines the lustre of the carbon panels with perforated leather and matt alcantara. The bespoke interior uses swathes of sumptuous grey alcantara to cover the footwell, dashboard and roof. The soft texture of the leather and alcantara are juxtaposed with the hard surfaces of the carbon fibre to provide a satisfying sensory experience.

The Lotus Evora Carbon Concept car has diamond cut forged 19" alloy wheels front and rear, shod with Pirelli P-Zero Corsa tyres (235/35 wide front and 285/30 wide rear). The wheels and tyres give the Lotus Evora real presence filling the wheel arches and giving the car a purposeful appearance.

Donato Coco, Director of Lotus Design commented, "The design of the Lotus Evora Carbon Concept car features exotic, high tech materials that offer a good synergy with the Lotus brand image, expressing our motorsport heritage and history of stylish sports cars for which Lotus are renowned."

Acura TSX A-Spec Concept Wallpapers














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